{"id":67,"date":"2018-07-15T01:00:16","date_gmt":"2018-07-15T01:00:16","guid":{"rendered":"https:\/\/guavatone.com\/?page_id=67"},"modified":"2018-07-28T04:11:31","modified_gmt":"2018-07-28T04:11:31","slug":"redd-47","status":"publish","type":"page","link":"https:\/\/guavatone.com\/","title":{"rendered":"Home"},"content":{"rendered":"
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Welcome to Guavatone.<\/p>\n

Why DIY an Orange 86 REDD.47 Preamp?<\/p>\n

A: It has become the Favored Preamp for most who have one in their Studio.<\/p>\n

submit an order for the Orange 86<\/a><\/p>\n

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A very short REDD.47 History<\/h2>\n

The earlier REDD.17 and REDD.37 consoles of Abbey Road utilized German V modules like the V72S, V76, various compressors, line modules and such. \u00a0These were made by Siemens, Telefunken and TAB. \u00a0Because of impedance interfacing, gain and expense issues, another solution was needed. \u00a0EMI\u2019s in house Recording Engineering Development Department (REDD) designed the REDD.47 modular amplifiers to be used in the new REDD.51 console. \u00a0These were the main desks used by The Beatles from 1964-1968. \u00a0REDD.47 amplifiers be heard on classic albums like Rubber Soul, The White Album, Revolver, and\u00a0Sgt. Pepper\u2019s. However, some researchers have claimed that 85% of Beatles recordings used the REDD.57 desks with Type 47 amplifiers. \u00a0It is also said that Phil Spector used the REDD.57 to mix Let It Be in 1970. \u00a0The German modules sound more relaxed, while the REDD modules have a more clean aggressive sound. You can read more about the V Series here<\/a>.<\/p>\n<\/div><\/div><\/div><\/div>

DIY Orange 86<\/h2>\n